On Writing Out Loud

“One thing that I’m sure helped me: I was constantly reading aloud from the book, from the first day of drafting to the last day of revision, years later. I’ve read the book out loud cover to cover multiple times, at the end of every major draft, and there was never a day when I worked on the book in silence. I think that there was also some want on my part to prove wrong a truism I’d heard too often in grad school and in other places: When I was in school, it seemed to be a given that an intense focus on language and acoustics couldn’t be carried over an entire novel, that this kind of voice was the province of the story, the poem, that it was too difficult for the writer, too exhausting for the reader. From the first time I heard someone say that, I didn’t believe it—there are plenty of books out there that prove otherwise—and I think I wanted to find out for myself what I could do at this length, with the kind of voices I’m drawn to.”

— Matt Bell, author of In the House upon the Dirt Between the Lake and the Woods (interviewed by Tin House)