I often imagine college essays as first-impression outfits. Sure, it’s nice to be stylish, but college admissions officers don’t need to see you in your wildest clothes. If you look in your closet, though, and see no wild outfits at all, that doesn’t mean you have nothing to wear.
A student of mine once wrote about an art assignment that involved a blank canvas, paint, and a salt shaker. These were his tools. His purpose: to let process dictate a subject — what would he see by experimenting with these materials?
As a young writer, I often felt I needed to write about something beyond myself — something accessible only to writers older, more intelligent, more talented than I was. This pressure often resulted in stagnant, dreadful writing, full of clichés.
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